Burning fossil fuel in the North American continent contributes more to the CO2 global warming problem than in any other continent. The resulting climate changes are expected to alter food production. The overall changes in temperature, moisture, carbon dioxide, insect pests, plant pathogens, and weeds associated with global warming are projected to reduce food production in North America. However, in Africa, the projected slight rise in rainfall is encouraging, especially since Africa already suffers from severe shortages of rainfall. For all (...) regions, a reduction in fossil fuel burning is vital. Adoption of sound ecological resource management, especially soil and water conservation and the prevention of deforestation, is important. Together, these steps will benefit agriculture, the environment, farmers, and society as a whole. (shrink)

Durant les années 1970 en Amérique latine, le « courant critique » est très actif dans la reformulation des méthodologies, des objets d'études et des objectifs de la recherche en communication. Dans ce contexte, il élabore le modèle de communication participative en rupture avec le diffusionnisme en prenant comme point de départ la théorie de la dépendance et du colonialisme interne. Ce modèle questionne les relations verticales dans une société donnée. En partant du cas de la radiodiffusion en Bolivie , (...) est-il possible de comprendre les pratiques communicationnelles populaires? Quels sont les conditions et les contextes qui favorisent leur émergence et jusqu'à quel point parviennent-elles à leurs objectifs de démocratisation?.During the 1970s in Latin America, the "critical current" is very active in the reformulation of the methodologies, objects of study and research objectives in communication. In this context, it develops the model of participatory communication break with diffusionism taking as starting point the theory of internal colonialism and dependency. This model asks vertical relationships in a given society. Starting from the case of broadcasting in Bolivia , is it possible to understand the communicative practices popular? What are the conditions and contexts in which they emerge and to what extent they succeed in their goals of democratization? (shrink)

Non una pacifica esplorazione ma un’avanscoperta bellicosa, in sardonica guerrilla con alcuni baluardi della tradizione filosofica occidentale: le leggi e il linguaggio della metafisica, la concezione stabile e unitaria dell'identità personale, il modello tragico della volontà, il pregiudizio antropocentrico e l’asservimento della natura al dominio della tecnica. Senza la pretesa di comporre un discorso esaustivo o sistematico, Capra recupera soprattutto Nietzsche e il Wittgenstein delle Ricerche Logiche in una (auto)critica comparativa, per mostrare in quali modi il pensiero correlativo delle (...) filosofie orientali possa integrare e talvolta superare le impasse del pensiero antitetico. (shrink)

Este artículo tiene dos objetivos. El principal es mostrar la concepción de la historiografía como teoría crítica en la obra de Dominick LaCapra. El secundario es exponer las consecuencias impolíticas de la teoría crítica contemporánea que subestima la atención a la historia. Con tal fin, enmarco la historia intelectual de LaCapra en el contexto de la renovación de la metodología historiográfica y muestro la relevancia del estudio del trauma en su concepción del conocimiento histórico. Posteriormente, muestro que la clave (...) que convierte su concepto de historia en una teoría crítica es la idea de que la historia debe contribuir a elaborar el trauma y capacitar para la acción, así como la relación entre esta idea y el vínculo entre experiencia e identidad política. Después expongo la crítica de LaCapra a una corriente contemporánea de teoría crítica que renuncia a la elaboración del trauma. Por último, propongo tres categorías para identificar y analizar dicha corriente: diferencia histórica, viraje ético e impoliticidad. (shrink)

El cine clásico de Hollywood de los años treinta y cuarenta fue testigo de la crisis del 29 y sus repercusiones. Un estudio filosófico de este permite descubrir en la filmografía del director Frank Capra luminosos criterios de interpretación. Desde sus primeros títulos, sus películas ponen de manifiesto la relación entre la modernidad, la técnica y la centralidad de la persona. Filmar American Madness (1932) supuso para Capra entrar de lleno en el tema de la reflexión ética sobre (...) la economía, para hacer de ella una lectura moral, y así interpelar la responsabilidad de las personas al considerar la crisis económica como una auténtica bancarrota moral. La capacidad y la libertad de la filosofía para ser crítica debe afrontar la necesidad de superar las lecturas economicistas del cine, para descubrir en él no el predicado de un sistema productivo, sino un verdadero ejercicio creativo. Y así se descubre en American Madness una muestra del valor de la empatía frente a la crueldad, de la importancia de la comunidad varón/mujer para educarse en dicha empatía, de la continuidad entre el amor esponsalicio y las distintas formas de amor y de amistad. De este modo se comprueba que Capra relata en esta película la vida económica centrada en las personas y su responsabilidad moral contra la violencia en las relaciones de producción. (shrink)

El propósito del presente artículo es el de profundizar en la interpretación de la lectura zambraniana en torno a eventos de su tiempo como la guerra civil española y el posterior exilio republicano, explicitando la discontinuidades y desniveles etiológicos que subyacen a su obra filosófica. Tal y como han desarrollado diferentes exégetas de su pensamiento, las reflexiones de María Zambrano han transitado desde el plano histórico a la articulación de una lectura de los acontecimientos desde un entramado metafísico y teológico. (...) A lo largo de este artículo nos focalizaremos en las claves histórico-conceptuales de dicha transición discursiva y proyectaremos sobre aquella las diferentes distinciones metodológicas elaboradas desde la teoría del trauma de Dominick LaCapra y, en particular, de su noción de “trauma estructural”. Desde esta perspectiva, arrojaremos luz en torno al trasfondo y a las implicaciones de la interpretación zambraniana de acontecimientos históricos desde un prisma metafísico. (shrink)

La oveja (Ovis aries) es el primer animal domesticado para consumo en un hito histórico que marca el inicio de la sedentarización de las comunidades humanas al comienzo del Neolítico. Durante milenios, fueron semejantes al muflón asiático (Ovis orientalis), su ancestro salvaje. Las razas primitivas supervivientes en el norte de Europa son oscuras, mudan el pelo estacionalmente, tienen cuernos en ambos sexos y apenas producen lana. Los ancestros de las modernas surgieron hace unos 3.500 años. Se seleccionaron para producir lana (...) blanca, que crece indefinidamente y se colecta anualmente. Este proceso coincide con la invención de las tijeras de esquilar y con el descubrimiento de tintes como la púrpura. Solo la lana blanca puede teñirse de cualquier color, permitiendo trasladar al tejido las mismas señales que quizá antes nos pintábamos con ocre sobre el cuerpo. La oveja, un herbívoro social muy manejable, sumaba al suministro de alimento el de una fibra abrigada y modificable en su color distintiva de quienes la visten. Un lienzo en blanco donde trasponer las expresiones estéticas antes restringidas al cuerpo, al arte rupestre y al mobiliar. De ahí que diversas mitologías contemplen una relación simbólica especial con ellas. La revolución estética propiciada por las ovejas blancas zozobra en el siglo XX con la aparición de nuevas fibras y el abaratamiento de otras. Hoy, los arquetípicos y blancos rebaños característicos de la iconografía occidental tienden a una coloración mixta al devaluarse la lana. Otras especies domésticas con fibras que solo recientemente se han apreciado comercialmente, como las cabras de angora (Capra hircus) o las llamas (Lama glama), siguen un proceso idéntico al emprendido con las ovejas hace milenios para tornarse blancas. Presentamos las implicaciones estéticas que han estimulado la selección artificial de ovejas con lanas blancas desde un punto de vista transdisciplinar. Siguiendo la corriente bioevolutiva, que entiende nuestra conducta estética y sus manifestaciones como parte de nuestra etología, veremos cómo ese largo proceso estuvo incentivado por nuestro deseo de teñir los tejidos para expresar un fenotipo extendido creando una nueva señal social. Esa nueva señalización, operante en el plano de la selección sexual, se va complicando al desarrollarse nuestras capacidades simbólicas y tecnológicas, siendo sintomática del entorno causal en el que se produce. (shrink)

Notas al pie de Gaza es una novela gráfica del artista Joe Sacco en la que se retoma el conflicto palestino-israelí ya tratado en Palestina: En la Franja de Gaza. En esta obra se abocará a la investigación de dos matanzas cometidas el año 1956 en territorio palestino.. En este trabajo nos centraremos en el controvertido final de la novela, en la que Sacco, mediante una notable técnica gráfica, obliga al lector a convertirse en una de las víctimas de la (...) matanza de Rafah. ¿Es esta técnica válida o éticamente cuestionable? Para contestar a esta pregunta buscaremos orientación mediante conceptos descriptivos de Dominick LaCapra y de Judith Butler. Este ejercicio teórico previo nos permitirá retomar una evaluación crítica más serena y exacta. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 541 But the end result is what La Capra terms "a philosophical conservatism," a call to create a morality to counteract the disintegrating forces in modern society. Here too Durkheim joins hands with Weber, Freud, and Malinowski. "Excessive individualism was symptomatic of social disintegration" (p. 145). Its antidote is the formation of cooperative groups. So for Weber the individual, in order to be a genuine man, (...) must always stand in a state of tension between self-interest and selflessness. So too for Freud and Malinowski unbridled individualism, incest and rebellion, are the major threats facing society. In contrast to Weber, who foresaw that "not summer's bloom lies ahead of us, but rather a polar night of icy darkness and hardness.... "Durkheim's work stands in the more benign, less beclouded light of Cartesianism. La Capra stresses the philosopher rather than the sociologist in Durkheim, but in a comparative analysis with his great contemporaries that judgement may well stand. LUCIANC. MARQUIS Pitzer College and Claremont Graduate School The Li/e and Mind o/John Dewey. By George Dykhuizen. Introduction by Harold Taylor; edited by Jo Ann Boydston. (Carbondale, Illinois: Southern Illinois University Press, 1973. Pp. xxv + 429. $15.00) This detailed and documented account of the "life and mind" of John Dewey is the fruit of years of careful research by Professor Dykhuizen of the University of Vermont, and it is also the product of cooperation by many institutions and individuals whose records have been made available to the author. The book is a synthesis of biography, history, and philosophy; it is good reading matter as well as an excellent reference work, truly a magnum opus, a worthy record of the inseparability of Dewey's life and mind. The story begins in the obscurities of rural life and schooling in the 1860s, and it culminates in the complicated international affairs of the world since 1914. It is appropriate and inevitable that the public activities of Dewey should dominate the account of the last thirty years of his life. But it is remarkable that a philosopher should be devoted to so many and varied public affairs without being distracted by them. This fact is explained by the character of his philosophy: his philosophical devotion to "inquiry" made almost any public problem grist for his mill. He faced problems professionally as an analyst, not in order to solve them but in order to understand them concretely as obstacles to action. The biography gives abundant evidence of this fact, both in technical philosophical issues and in "the problems of men." Dewey confessed that his science of inquiry was unfortunately entitled "Logic." When he began his inquiries into the process of thinking, the German term logische Studien was still commonly used for any work on the theory of knowledge, and Dewey was not prepared for the revival and reconstruction of formal logic during his mid-career. I am reminded of a remark by his colleague, Professor Woodbridge, who said: "At first I could not figure out what Dewey's logic was about; then it suddenly occurred to me that he was telling us 'How We Think'." For Dewey and Mead the problem of knowledge was almost entirely the problem of thinking, "reflective thinking." At Columbia we tried to make textbooks on reflective thinking, much to Dewey's amusement and scorn: "You should use reflective thinking, not teach it as subject-matter. And as for formal logic, you should save that for graduate school; it corrupts young minds who mistake it for knowledge." Despite his emphasis on "reflective thinking" he disliked the term "reflection"; it had been too much abused by philosophers who engaged in speculation, meditation, and other forms of "day-dreaming." Dewey's preference for "imagination" instead of "consciousness" is related to this circumstance. He regarded "consciousness" as an abstraction; whereas imagining is a cenlxal 542 HISTORY OF PHILOSOPHY aspect of thinking. It implies not merely getting a suggestion in relation to a problem, but getting a suggestion whose consequences could be anticipated. Unless a suggestion anticipates consequences, it is not an idea; it has no meaning, no means to suggest for the problem or plan. Accordingly, for Dewey "acting consciously... (shrink)

In the treatise called La nobiltà et l’eccellenza delle donne co’ diffetti et mancamenti de gli uomini Lucrezia Marinella claims that women are superior to men. She argues that men are excessively hot, and that heat in a high degree is detrimental to the intellectual and moral capacities of a person. The aim of this paper is to set out Marinella’s views on temperature differences in the bodies of men and women and the effects of bodily constitution on the capacities (...) necessary for political deliberation and rule. I situate Marinella’s argument in the context of an ongoing debate about physiological differences between the sexes, begun in antiquity and extending into the Renaissance. That debate is important for several reasons: as part of a broader discussion of the nature and worth of women, as determining influential interpretations of ancient authorities on matters of physiology, and as anticipating later discussions of the relation between the sexed body and political roles. This paper considers Marinella in dialogue with a number of interlocutors, elements of whose work can be found in her own: Aristotle, Mario Equicola, Galeazzo Flavio Capra, Ludovico Domenichi and Torquato Tasso. (shrink)

El mito de Ifigenia ha sido reinterpretado con extraordinaria vitalidad en multitud de obras literarias y artísticas a lo largo de la historia. Este artículo pretende examinar la particular repercusión de Ifigenia en el debate de la _Querelle des femmes_ a partir de la recuperación del manuscrito de la tragedia de Eurípides a finales del s. XV, en autores como Galeazzo Flavio Capra, Ludovico Dolce o Lilio Gregorio Giraldi. La recepción de la tragedia griega desde Italia, al verterse en (...) dramas y tratados, irradió en la cultura moderna europea nuevos emblemas sobre la condición femenina, hacia un modelo de virtud cuya moral supera la crueldad de los dioses y los hombres, pues lucha por su propia libertad y dignidad. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reframing Baudelaire: Literary History, Biography, Postcolonial Theory, and Vernacular LanguagesFrançoise Lionnet* (bio)In A Room of One’s Own, Virginia Woolf quips: “History is too much about wars; biography too much about great men;” literary history, she might have added, is too much about sons murdering their fathers. Canonical readings of the canon have often insisted on the vaguely Freudian (if not biblical) model of literary creation susceptible both to “anxieties (...) of influence” and to creative revisions imposed by strong misreadings. Criticism has followed the same reactive pattern in order to clear new ground for further research: the debate between “traditionalists” and proponents of “cultural studies” all but repeats this familiar and combative dialectic. Between formalist and sociopolitical readings, French texts have been mined by many different critical trends; but the perspectives that do not fit neatly into one or the other of these agonistic moves tend to be left out. Dominick LaCapra has suggested that “one issue for readers today is whether a different, ‘noncanonical’ reading of the canon, which resists symbolic resolutions as well as narrowly formalistic interpretations, may be one force in reopening texts to the[ir] broader sociopolitical effects” [731].In the case of Baudelaire, the way to do this “noncanonical” reading might well be to go back to a discursive field which includes biography and oral histories, and to resist the temptation either to eulogize the innovations of the poet of modernity or to denounce the patent racism of his images. The challenge today is to return to the scene of writing and the conditions of production of the early poetry—in other words, to look at the text from outside of conventional literary, critical or cultural history, to reclaim it for our side, that of a more global francophonie. To do so might mean to map out once again the contested terrain of culturally and politically sensitive readings such as the ones Christopher Miller and Gayatri Spivak claim to do. Their readings, however, do not take into account the residual cultural element of the poetry, that is, the vernacular language it appropriates. This language is all but buried beneath the emergent theoretical practices of postcolonial criticism and its vaguely nationalist agendas. 1 Critics have tended to look for [End Page 63] symbolic resolutions and to settle cultural scores at the expense of historical and geographical specificity, despite claims to the contrary.The facts of Baudelaire’s youthful travels in the Indian Ocean have remained relatively obscure. While doing research in the islands of Mauritius and Réunion on two separate occasions during the past few years, I came across written documents and watercolors that helped me reconstruct the historical and visual contexts that appear to have been Baudelaire’s in 1841. By re-examining the criticisms that have been lodged against the exoticizing rhetoric of his poetry, I want to foreground the links between the Creole culture with which Baudelaire became familiar and the now canonical texts he produced. These links can allow us to bypass the sterile opposition between “literary studies” and “cultural studies” or between aesthetics and politics; they demonstrate the urgency of re-visioning the canon not just from the perspectives of its margins, but as an important source of muted cultural knowledge. The questions with which I begin, then, are the following: where did Baudelaire actually go on his travels in 1841? and why does this matter to the field of French studies?Il faut en finir avec la légende de l’Inde parcourue par Baudelaire. Elle était séduisante, Gautier l’a adoptée, Banville ne l’a pas négligée.... Mais la vérité vraie est que Baudelaire, embarqué malgré lui, brûla la politesse à l’Inde.... Peut-être Baudelaire abandonnait-il complaisamment au commun public ces bruits de longues pérégrinations en pays fabuleux, parce qu’il en tirait, avec des couleurs de mystère, l’air de revenir de loin. Dans tous les cas, il ne nous parlait jamais de ces voyages. A peine, à son retour, nous dit-il quelques mots d’une station dans l’île Maurice ou l’île Bourbon. 2[It is time to put a stop to... (shrink)

In his philosophy of ethics and time, Emmanuel Levinas highlighted the tension that exists between the "ontological adventure" of immediate experience and the "ethical adventure" of redemptive relationships-associations in which absolute responsibility engenders a transcendence of being and self. In an original commingling of philosophy and cinema study, Sam B. Girgus applies Levinas's ethics to a variety of international films. His efforts point to a transnational pattern he terms the "cinema of redemption" that portrays the struggle to connect to others (...) in redeeming ways. Girgus not only reveals the power of these films to articulate the crisis between ontological identity and ethical subjectivity. He also locates time and ethics within the structure and content of film itself. Drawing on the work of Luce Irigaray, Tina Chanter, Kelly Oliver, and Ewa Ziarek, Girgus reconsiders Levinas and his relationship to film, engaging with a feminist focus on the sexualized female body. Girgus offers fresh readings of films from several decades and cultures, including Frank Capra's _Mr. Smith Goes to Washington_ (1939), Federico Fellini's _La dolce vita_ (1959), Michelangelo Antonioni's _L'avventura_ (1960), John Huston's _The Misfits_ (1961), and Philip Kaufman's _The Unbearable Lightness of Being_ (1988). (shrink)

After a quarter of a century in print, Capra's groundbreaking work still challenges and inspires. This updated edition of The Tao of Physics includes a new preface and afterword in which the author reviews the developments of the twenty-five years since the book's first publication, discusses criticisms the book has received, and examines future possibilities for a new scientific world.

Joel Katzav’s article describes and explains the realist perspectivist views of Grace de Laguna, showing the distinctiveness of her positions in a number of fields. My focus will be on her views of the self and persons, and how they are embedded in their communities, experience emotions, and develop morality. As Katzav outlines, de Laguna’s position can be characterized as a form of speculative philosophy that develops an ontology of modes of being. Katzav sees speculative philosophy and naturalism intertwining in (...) her work as de Laguna extends and criticizes science (the speculative aspect) as well as drawing on it (the naturalistic aspect). De Laguna’s project is to create a philosophical system that can be communicated to others. This system, according to Katzav, uses imagination, metaphor, and paradoxical formulations, such as ‘qualitative uniqueness’ to describe individuality, in a way that is common in continental philosophy. My commentary examines de Laguna’s views as they are set out by Katzav and suggests how his article opens up lines of philosophical inquiry concerning the self, community and morality. De Laguna’s views on these issues can also usefully be compared to those of Hannah Arendt to see how her articulation of these themes intersects with and differs from Arendt’s ideas. (shrink)

Excerpt from L'Art de Sentir Et de Juger en Matière de Goût Nous 'zivons' employé trois especes de papier _à la réimpres'sion de ce livre; ce qui forme trois éditions. La premiere, de luxe et tirée àtrès petit nombre sur du papier Velin.' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, (...) preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

Al vroeg in de achttiende eeuw omschreven Europese denkers het tijdvak waarin zij leefden als verlicht. Het besef onderdeel te zijn van een ontwikkelde, beschaafde en commerciële periode schiep een nieuwe verhouding tot het verleden. Veel geschiedschrijvers schreven een historisch verhaal van vooruitgang - van de klassieke oudheid via de barbaarse middeleeuwen naar het moderne Europese statensysteem - om deze verlichte eeuw te verklaren. Hoewel dit fungeerde als een gedeeld Europees verleden en gedeelde Europese identiteit, ontstonden er al gauw nationale (...) varianten. Eleá de la Porte onderzoekt de achttiende-eeuwse Nederlandse verlichte verhalen vanuit dit internationale perspectief. In de Republiek botste het verhaal van Europese vooruitgang op een gelijktijdig debat over nationaal verval en een sterke traditie van humanistische geschiedschrijving. Bovendien moesten Nederlandse schrijvers hun nationale identiteit heroverwegen. De Bataafse mythe, gedurende twee eeuwen de historische fundering van de nationale identiteit, werd steeds vaker beschouwd als 'barbaars.' Als reactie hierop construeerden tijdgenoten het concept van een zeventiende-eeuwse Gouden Eeuw." --Page 4 of cover. (shrink)

To elucidate the tensions in the relation between ethics and politics, I construct a dialogue between Kant, who argues that they can be made compatible, and Derrida, who claims to go beyond Kant and his idea of duty. For Derrida, ethics makes unconditional demands and politics guides our responses to possible effects of our decisions. Derrida argues that in politics there must be a negotiation of the non-negotiable call of ethical responsibility. I argue that Derrida's unconditional ethics cannot be read (...) in precisely Kantian terms because his `impossible reals' can be destructive. Moreover, Derrida expands the reach of ethics beyond Kant by making all ethical demands unconditional or perfect, yet he does not articulate a politics that would enable us to respond to these demands. We need to take account of these difficulties in theorizing how ethics should constrain politics and how politics can provide the conditions for ethics. (shrink)

En este artículo se hace una reflexión sobre el arte latinoamericano como contribución al conocimiento de la cultura continental, más un breve recuento de cara al Bicentenario sobre los enigmas vacíos de las nuevas expresiones y el fenómeno de la postproducción vinculado al planteamiento de Néstor García Canclini sobre La sociedad sin relato, antropología y estética de la inminencia. En las artes y en las expresiones literarias se plasman identidades y constituyen un complemento fundamental de la historia ¿El arte actual (...) es el resultado de una sociedad sin relato? (shrink)

Alternatives in Semantics is the first volume to focus on alternatives as a key theme. It offers a survey of the use of alternatives in semantics and pragmatics, and an overview of current approaches and applications of alternative-based semantics, from both theoretical and experimental perspectives. The chapters represent different theoretical frameworks, which differ in the way they conceive of the source of alternatives, the status of alternatives, or the precise way in which they enter semantic composition. The contributions focus on (...) various empirical phenomena making reference to alternatives (negative polarity and free choice phenomena, implicatures, presupposition, focus and intervention effects), offering new insights and exploring connections between them. The chapters assembled in this volume demonstrate the vitality of alternative-based semantics and offer a clear perspective on the many challenging questions that arise from its increasing range of applications. (shrink)